Get all 29 soave releases available on Bandcamp and save 50%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of From Ajanta to Lhasa, Sud e magia, pitturamusica, Losing The Orthodox Path, Le Città invisibili (Le Città e i morti), Ambienti Elettroacustici, Ambient Music, EEEOOOSSS, and 21 more.
1. |
Riflessi
09:43
|
|||
2. |
Sezioni
08:35
|
|||
3. |
Silab
01:23
|
|||
4. |
Attraverso
19:02
|
If you like Riflessi, you may also like:
Poiemusia La Nau Dels Argonautes
by Pep Llopis
supported by 23 fans who also own “Riflessi”
Lovely and soothing. Challenging without being difficult. If Steve Reich, William Basinski, and/or Lena Platonos resonate with you... check it!
go to album
Everywhere at the end of time
by The Caretaker
supported by 22 fans who also own “Riflessi”
I first listened to the full project in one sitting late one night, and it was one of the most moving experiences I've ever had with music. I haven't re-listened in full as of yet, but I keep returning to this album and find myself humming along to the tunes over and over. Take care, Caretaker.
go to album
Transmissions
by Samuel Goff
The first release on Cacophonous Revival, from experimentalist Samuel Goff, uses avant-garde approaches to get at personal narratives.
go to album
Holographic Dreamtime
by Khôra
Less a solo act than a one-man megalith, Khôra builds impressive experimental soundscapes from modular synths, flutes, harps, and more.
go to album
Undulations
by Puscha
An icy, immersive ambient track from Puscha, where synths clang like church chimes and howl like wind.
go to album
Trans-Millenia Music
by Pauline Anna Strom
supported by 21 fans who also own “Riflessi”
A firm favourite over the last few years, and a record I turn to for inspiration as much as relaxation. Timeless!
go to album
Joy Boy
by Julius Eastman
supported by 20 fans who also own “Riflessi”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
go to album
